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Jessica Hernandez brings the heat both vocally and instrumentally in her new album, Weird Looking Women in Too Many Clothes. Her unique vocal construction draws the listener in, entertaining them with thoughts of macabre circus sideshows, and Mardi Gras.
The infusions of brass, keyboard and avant-garde percussion give the pieces a jaunty tone, which contrasts highly with the dark nature of the lyrics. Each song shows a different side of Hernandez’s vocal range while continually complementing the spirit of the album as a whole.
Hernandez’s unique gothic-soul vocals create a chilling semblance with their drawn out vibrato and ghostly underlays. Her deep tambour on “Moonstruck” sounds like a dirge, bringing the listener back to the voodoo and black magic of New Orleans.
Overall, the album sets the bar extremely high for this up-and-coming group. The thought and effort put into each aspect is not only apparent, but necessary for the album to provide so much auditory pleasure. From the bubbly melody of “In The City” to the slower, more melancholy mastery of “All So Mute,” Hernandez does not disappoint.
Listen to "In the City":