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James Hince and Kate Moss are together, great. The Dead Weather is on indefinite hiatus, leaving Allison Mosshart with only one focus, also great. Now that the tabloid view of The Kills is out of the way, we can get to the good stuff. The fourth album by the duo of Hince and Mosshart sets a different tone than the three preceding.
You can say that the three years parting their releases was some sort of time taken t create a new sound, but we should know better. A pre-menstrual moodiness flows through the 11-track album. Needless to say, the slow-burning passive-aggression kicks you down and mentally toys with you.
“Nail In My Coffin,” is a menacing track, where Hince makes it a point to use the guitar to set the definite mood. Not that it is unfamiliar for Hince to manipulate each instrument to make each song powerful, or in this case, mildly painful.
Not to say that The Kills have completely gotten ridden of their once hook-heavy style, but they have surely hid them within stronger aspects. In “DNA,” there is a distinct hook, but you lose it withing the steady clack clacking of the drumsticks. Mosshart seems to shine with her newfound prominence in the songs that are focused on her musical ability.
The Kills effortlessly rocked it again with their new borderline macabre sound.
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