The Belle Jar- Union Station
Mar 5, 2014
If you've never heard the name Stalley before this post, I'm not surprised. The most recent addition to Maybach Music Group's laid back demeanor is one easily overlooked in comparison to the flash of his fellow emcees. However you would be greatly missing out on one of the most slept on talents in hip hop today if you did not pay close attention to the Ohio-bred rappers debut album, Lincoln Way Nights.
Over a variety of impressively produced instrumentals, the young artist displays a sense of maturity both in flow and content, rare to see in todays current rap scene. Touching on his roots coming out of the Midwest, Stalley speaks about his reality- the importance of cars, his history with women, and the ever-present wariness towards those around him.
The fourth track on the album, "330" is an excellent representation of Stalley's skillful form of lyricism, as he wraps the anthem for his home town around a heavily-bass influenced instrumental. He does not attempt to attack the track, rather, allows his flow and the beat to seemingly fuse, creating incredible harmony and displaying a sense of obvious care towards the music.
"She Hates the Bass", a dreamy track on which Stalley talks about the sound system within his car, and the disgust his girl has for it makes the ninth of the album. The vibe that he is sharing an important part of himself is evident, verbally placing a heavily detailed description of his ride, and the abuse its speakers shed on the world.
Stalley is a talent to watch in the year 2012. After joining the powerhouse which is MMG, there is no doubt he will be gaining recognition fast within the hip hop world. One can only hope his later projects live up to Lincoln Way Nights.
Listen to "330" from Stalley -